THE OBSERVER, WHO SHOULD WIN THE 2023 STIRLING PRIZE?
MAY 2023
Rowan Moore has written in the Observer discussing who should win this years Stirling Prize and selected Saltmarsh House as one of them. He describes the building as "mathematically insistent and precise – the diameter of the metal tubes used for both structure and light fittings is an unvarying 4cm, and it’s built to a tiny 3mm margin of error – to the point of luxuriance. Victorian greenhouses that once stood nearby are inspirations for its fragility, the Amber Fort in Jaipur for its quadripartite columns, the Japanese engawa or veranda for the open-to-nature dining room."
THE GUARDIAN ON THE ROYAL ACADEMY SUMMER EXHIBITION
JUNE 2022
Olly Wainwright has published his Guardian review of this year’s Royal Academy architecture rooms which have been co-curated by Níall McLaughlin and artist Rana Begum. With this year’s theme being ‘Climate’, Wainwright highlights that “Architects and engineers have, after all, some responsibility for the mess we’re in, given that 40% of carbon emissions come from buildings. They also have the means to do something about it”. Níall commented, “there can be a sense of fatalism about the climate, but our discipline can show that imaginative change is possible”.
The article reviews a few select pieces such as Stonemasonry Company and Webb Yates engineers’ large stone beam titled ‘Equanimity’, the Khudi Bari (or Tiny House), a modular monsoon-resistant shelter designed by Bangladeshi architect Marina Tabassum, and Thai architect Boonserm Premthada’s ‘Dung Power’ a structure made from elephant dung bricks.
The article can be accessed here.
Image © Royal Academy of Arts, London / David Parry