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TWO RIBA NATIONAL AWARD WINS

JULY 2024

Two RIBA National Award Wins

The WongAvery Music Gallery for Trinity Hall in Cambridge and Auckland Castle, Tower & Faith Museum have both won RIBA National Awards.

The Auckland Project was founded by philanthropist Jonathan Ruffer. The project is one of a series of urban and historic interventions that seek to preserve the Castle’s heritage, promote Bishop Auckland as a visitor destination and reinvigorate the town. The Castle project by Purcell Architects involved the conservation of the state apartments and domestic rooms, and the provision of new learning, catering, retail and visitor facilities. It sought to increase visitor engagement and bring to life the forgotten story of the Prince Bishops and their role in the nation’s past. In its pivotal location, the form and construction of the Auckland Tower is intended to echo lightweight provisional structures that would once have clustered around Castle walls. It allows people a view into the Castle to understand this previously secluded world. The new Faith Museum extension to the Castle takes the simple form of a barn with certain details developed to project a public representation of a sacred function and provides space for exhibition displays on faith in Britain. The Auckland project has previously been awarded an RIBA North East Building of the Year and North East Conservation Award.

The WongAvery Gallery is a music practice and performance space for Trinity Hall, Cambridge. The new building sits in the centre of Avery Court. The aim of this project was not only to provide a much-needed dedicated space for music practice and performance, but also to rejuvenate Avery Court by relandscaping the court around the new building in a collaboration with Kim Wilkie. It also houses environmentally sensitive musical instruments and the college’s music library. the Jury commented on the project “The jury left the pavilion having absorbed a sense of calm unusual in any building. This is an admirable project in the way it has set out exceptional architectural ambitions and succeeded in seeing them through both design and construction with outstanding rigour and attention to detail.”

BALLIOL COLLEGE, SPORTS PAVILION

NOVEMBER 2019

Balliol College, Sports Pavilion

7:45 AM, London Bridge. The train from Uckfield just entered the station and is spitting out hundreds of commuters, flowing past us. We hop on the now empty train and leave London to visit our timber sub-contractor’s workshop in East Sussex.

We are fast approaching the construction stage of our Sports Pavilion project for Balliol College in Oxford and were invited to review a mock-up of the roof structure. The pavilion roof is formed of slender sweet chestnut glulam joists; 10 layers are stacked on top of each other, each layer cantilevering further into the space, creating a coffer.

1:50 model

From outside the roof structure expresses itself as a lantern, popping up in the centre of the building. The lantern is fully glazed, allowing for rays of sunshine to enter through the stacked glulam. In the evening, the dense timber lattice will be highlighted by a subtle glow, originating from LED strips, that are recessed in the top of the glulam joists.

The mock-up in Inwood’s (timber sub-contractor) workshop

Lighting strategy detail plan and section

The mock-up was used to test the connection details between the individual layers of glulam, the construction sequence, and the integration of the LED strips and the associated wiring. Preceding the assembly of this mock-up, these details have been worked through and coordinated in many lengthy design workshops, involving the contractor, structural and electrical engineers, the timber sub-contractor, electricians and us architects. As such, it was even more enjoyable to review the mock-up with all the parties involved and to see our combined efforts bearing fruit.

The carpenters who built the mock-up and the Electrical Engineer, Design Manager, and Architect discussing the installation and accessibility of the LED strips