THE GUARDIAN ON THE ROYAL ACADEMY SUMMER EXHIBITION
JUNE 2022
Olly Wainwright has published his Guardian review of this year’s Royal Academy architecture rooms which have been co-curated by Níall McLaughlin and artist Rana Begum. With this year’s theme being ‘Climate’, Wainwright highlights that “Architects and engineers have, after all, some responsibility for the mess we’re in, given that 40% of carbon emissions come from buildings. They also have the means to do something about it”. Níall commented, “there can be a sense of fatalism about the climate, but our discipline can show that imaginative change is possible”.
The article reviews a few select pieces such as Stonemasonry Company and Webb Yates engineers’ large stone beam titled ‘Equanimity’, the Khudi Bari (or Tiny House), a modular monsoon-resistant shelter designed by Bangladeshi architect Marina Tabassum, and Thai architect Boonserm Premthada’s ‘Dung Power’ a structure made from elephant dung bricks.
The article can be accessed here.
Image © Royal Academy of Arts, London / David Parry
ARCHITECTURE ROOM AT THIS YEAR’S ROYAL ACADEMY SUMMER EXHIBITION
APRIL 2022
Níall McLaughlin and artist Rana Begum will co-curate the architecture room at this year’s Royal
Academy Summer Exhibition. Celebrated British sculptor Alison Wilding RA will co-ordinate the 254th exhibtion.
This year Wilding will explore the theme of Climate. “The theme of Summer Exhibition 2022 is
CLIMATE in all its manifestations. Whether it presents as crisis or opportunity, nightmare or
memories, or simply our everyday experience of weather, - CLIMATE is a huge all-embracing and
urgent subject.”
The Summer Exhibition is the world’s largest open submission contemporary art show which has
taken place every year without interruption since 1769. The members of the Summer Exhibition
Committee serve in rotation, ensuring that every year the exhibition has a distinctive character, with
each Royal Academician responsible for a particular gallery space. Works from all over the world are
judged democratically on merit and the final selection is made during the eight-day hang within the
galleries.