Níall McLaughlin
Architects

STORIES OF EARTH: ECHOES IN ARCHITECTURE

AUGUST 2024

On the 14th September Níall will be speaking at Stories of Earth: Echoes in Architecture at the University of Technology in Sydney. Níall's talk is titled About Time.

'A place is somewhere we return to. This is what sets it apart from the continuous flow of topography. Our connection to a place is renewed with each visit. Therefore, it has a special connection with time. We might say that the concept of place has as much to do with time as with area. Archaeologists researching the earliest permanent houses look for a telltale sign: one hearth built above another as an act of conscious representation. It tells us that some little band, family, or community saw their bonds lasting over a longer duration. This was something that could be given material presence. The first houses gave us a history. They encouraged us to believe that we could jointly invest in more ambitious activities whose returns were not immediately available. This expanded horizon transformed human culture. It also gave us our present conception of architecture, which is, above all, a representation of temporal depth. Níall will speak about architecture as a material embodiment of time.'

Níall will be joined by Rick Joy, Marina Tabassum Marusa Zorec and Peter Stuchbury.

The event page can be accessed here.

BIENNALE ARCHITECTTURA 2018

JUNE 2018

The 2018 Venice Biennale opened to the public on the 26^th May. This year’s theme “focuses on architecture’s ability to provide free and additional spatial gifts to those who use it and on its ability to address the unspoken wishes of strangers”.

Our contribution is a collection of six large-scale models, each representing a hall for gathering that the practice has designed. These models are placed upon a rotating table which is a calendar and a cosmic machine. Each hall has a different purpose yet they all bring people together in a rhythmic and cyclical fashion daily, weekly and annually. The specific uses of each building are regulated by a calendar of events, rituals and times of congregation. Their calendars are inscribed on the outer rim of a turning table. The table can be rotated by hand. When you turn it, varying light falls upon the models representing the passage of the sun through the day from dawn to dusk. It is a manual and mechanical process.

The intention of presenting these models in this way is to emphasise the relationship between the enduring frames of the buildings and the endless procession of fugitive elements that pass through them periodically.