Níall McLaughlin
Architects

STORIES OF EARTH: ECHOES IN ARCHITECTURE

AUGUST 2024

On the 14th September Níall will be speaking at Stories of Earth: Echoes in Architecture at the University of Technology in Sydney. Níall's talk is titled About Time.

'A place is somewhere we return to. This is what sets it apart from the continuous flow of topography. Our connection to a place is renewed with each visit. Therefore, it has a special connection with time. We might say that the concept of place has as much to do with time as with area. Archaeologists researching the earliest permanent houses look for a telltale sign: one hearth built above another as an act of conscious representation. It tells us that some little band, family, or community saw their bonds lasting over a longer duration. This was something that could be given material presence. The first houses gave us a history. They encouraged us to believe that we could jointly invest in more ambitious activities whose returns were not immediately available. This expanded horizon transformed human culture. It also gave us our present conception of architecture, which is, above all, a representation of temporal depth. Níall will speak about architecture as a material embodiment of time.'

Níall will be joined by Rick Joy, Marina Tabassum Marusa Zorec and Peter Stuchbury.

The event page can be accessed here.

AUCKLAND CASTLE WING EXTENSION

MAY 2019

Following the completion of the Auckland Tower, the Faith Museum is our second project at Auckland Castle and is an extension to the Grade I listed Scotland Wing. Unlike its vertical sister, which wears its expressed timber structure on the outside, the Faith Museum is singular and monolithic in its appearance, forming a continuous horizontal stone edge to an enclosed courtyard. Cop Crag sandstone, local to the north-east of England, is the external treatment for the roof, walls and weatherings of the building. Far from being homogenous, the stone is alive with natural variation which ranges from delicate lacy swirls to something resembling animal markings.

The principal internal space is a 9.5m tall gallery which follows the steeply pitching roof form, supported by a procession of closely-centred fine metal trusses. The Museum is largely inward-looking, borne of its intended purpose for contemplation and preservation of religious artefacts. This provides further enjoyable contrast and conversation between our two buildings in how they seem to view one another: the Tower’s expansive 360˚ views offering a full appreciation of the Faith Museum in its entirety as begins to take form, whilst the introspective Museum offers the only the slightest peek of its neighbour over the wall.