STORIES OF EARTH: ECHOES IN ARCHITECTURE
AUGUST 2024
On the 14th September Níall will be speaking at Stories of Earth: Echoes in Architecture at the University of Technology in Sydney. Níall's talk is titled About Time.
'A place is somewhere we return to. This is what sets it apart from the continuous flow of topography. Our connection to a place is renewed with each visit. Therefore, it has a special connection with time. We might say that the concept of place has as much to do with time as with area. Archaeologists researching the earliest permanent houses look for a telltale sign: one hearth built above another as an act of conscious representation. It tells us that some little band, family, or community saw their bonds lasting over a longer duration. This was something that could be given material presence. The first houses gave us a history. They encouraged us to believe that we could jointly invest in more ambitious activities whose returns were not immediately available. This expanded horizon transformed human culture. It also gave us our present conception of architecture, which is, above all, a representation of temporal depth. Níall will speak about architecture as a material embodiment of time.'
Níall will be joined by Rick Joy, Marina Tabassum Marusa Zorec and Peter Stuchbury.
The event page can be accessed here.
AV MONOGRAPH LAUNCH AT THE AA BOOKSHOP
JULY 2024
Arquitectura Viva has produced the first monograph on the practice titled 'Material Continuities'. The publication features 20 of the practices projects with an introduction by editor Luis Fernández-Galiano and opening essay by Adrian Forty. The monograph was launched at the AA bookshop on Bedford Square in London on the 10th July. You can visit the Architectura Viva website here.
TWO RIBA NATIONAL AWARD WINS
JULY 2024
The WongAvery Music Gallery for Trinity Hall in Cambridge and Auckland Castle, Tower & Faith Museum have both won RIBA National Awards.
The Auckland Project was founded by philanthropist Jonathan Ruffer. The project is one of a series of urban and historic interventions that seek to preserve the Castle’s heritage, promote Bishop Auckland as a visitor destination and reinvigorate the town. The Castle project by Purcell Architects involved the conservation of the state apartments and domestic rooms, and the provision of new learning, catering, retail and visitor facilities. It sought to increase visitor engagement and bring to life the forgotten story of the Prince Bishops and their role in the nation’s past. In its pivotal location, the form and construction of the Auckland Tower is intended to echo lightweight provisional structures that would once have clustered around Castle walls. It allows people a view into the Castle to understand this previously secluded world. The new Faith Museum extension to the Castle takes the simple form of a barn with certain details developed to project a public representation of a sacred function and provides space for exhibition displays on faith in Britain. The Auckland project has previously been awarded an RIBA North East Building of the Year and North East Conservation Award.
The WongAvery Gallery is a music practice and performance space for Trinity Hall, Cambridge. The new building sits in the centre of Avery Court. The aim of this project was not only to provide a much-needed dedicated space for music practice and performance, but also to rejuvenate Avery Court by relandscaping the court around the new building in a collaboration with Kim Wilkie. It also houses environmentally sensitive musical instruments and the college’s music library. the Jury commented on the project “The jury left the pavilion having absorbed a sense of calm unusual in any building. This is an admirable project in the way it has set out exceptional architectural ambitions and succeeded in seeing them through both design and construction with outstanding rigour and attention to detail.”