RIBA President’s Medals Student Awards

RIBA PRESIDENT’S MEDALS STUDENT AWARDS

DECEMBER 2013

Two members of the practice have won the main awards at this years RIBA President’s Medals Student Awards. The two medals were chosen from over 300 submissions, the best student work from 65 schools around the world.

Ben Hayes received the President’s Medal for his project entitled Kizhi Island, which proposes the restoration and reassembly of 250 wooden Orthodox churches on the small island in northern Russia. The proposal is for a curated museum landscape that incorporates the re-located ecclesiastical structures and an associated restoration and research facility.

Tamsin Hanke received the Dissertation Medal for her thesis, Magnitogorsk: Utopian Vision of Spatial Socialism. The work explored how the political ideology of the city was expressed spatially in the city during the years 1930 to 1953 and how the urban form has manifested in a social-economic legacy that remains to this day.

Ben and Tamsin studied with Niall and his teaching partners Yeoryia Manoloupoulou and Michiko Sumi in Unit 17 at the Bartlett School of Architecture in University College London. Tamsin’s Dissertation Supervisor was Sophia Psarra.

ATHLETES OCCUPY OLYMPIC HOUSING

AUGUST 2012

In the run up to the London Olympics, the Athletes’ Village housing block N15, is now occupied with athletes’ preparing for the games. Niall McLaughlin Architects have designed the external skin of the housing block on a ‘chassis’ designed by Glen Howells. The facade samples fragments of the Elgin Marbles, scanned from the British Museum and converted into 3D pre-cast panels depicting galloping horses from the Parthenon Frieze.

Niall McLaughlin commented on the practice’s approach to the unusual commission in Building Design. ‘I was very interested in the principle of the facade being delaminated from the building’s core form. Usually it’s something one tries to swim against to retain a sense of ‘authenticity’, but here we decided to embrace it….I like the idea of setting Ruskin’s conception of the craftsman against the absolute Taylorism of the construction process. Through digital reproduction, these deracinated stones are now doubly lost.’ (Building Design 27.01.2012)