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RIBA EDUCATION REVIEW PRESENTATION

MARCH 2015

Niall gave a presentation to the RIBA Education Review at a specially convened Forum and Council, which debated significant changes to the structure of architectural education. Niall spoke about the relationship between education and practice, arguing for a lifelong cycle of practice and education.

“Education should not end with RIBA Part III, or even limp along through minimum prescribed CPD events. It should no longer be possible for an architect to finish their education. I propose a more comprehensive model of life-long learning. If practitioners come back to the schools throughout their lives, they will be constantly invigorated and, by extension, they will constantly invigorate the schools to which they return. This would constitute a discourse – in the sense of a ferrying back and forth – in which practice and education are both part of a seamless continuity. The purpose of education is not so much the acquisition of set skills but – to borrow a phrase from John Hattie – learning how to learn. Once you have done this, you have built an engine for a lifetime of renewal.”

KEY NOTE LECTURE AT CONFERENCE ON MODERN SACRED ARCHITECTURE

OCTOBER 2014

Niall McLaughlin has given a keynote lecture on the theme of ‘Sacred Spaces’ as part of a conference on Modern Sacred Architecture in Ireland and Germany, hosted at Newman House in Dublin. The conference was hosted as a collaboration between University College Dublin, Goethe-Institut Ireland and the National College of Art and Design. The other key note lecturers were Kathleen James-Chakraborty, Professor of Art History at UCD and Amandus Sattler, principal of the award-wining Munich practice, Allmann Sattler Wappner.

The three day event explored themes of abstraction and innovation, together with conservation and re-use in the design of churches, mosques and synagogues from 1920s to the present day. The lectures and panel discussions focussed on sacred architecture of the period within Ireland and Germany. Niall spoke on themes surrounding the practice’s ecclesiastical work, including the Bishop Edward King Chapel and the Carmelite chapels in London and Dublin.