MESSUMS WILTSHIRE TALK
SEPTEMBER 2020
On the 12th September Niall will be part of a panel discussion alongside Peter Clegg, Piers Taylor and Jenny Jones. Chaired by Kate Goodwin ‘A Place Together’ will examine the future of the city centre and high rise architecture; airports and theme parks.
The discussion takes Elisabeth Frink’s reconstructed Woolland Studio – and her creative environment as the backdrop. A Place Apart (starts 10:30am) and A Place Together (starts 2pm), which recall Frink’s statement about her studio and solitary practice and a contrasting talk about how collective spaces need to be reimagined and how architecture is adapting to a post Covid-19 society.
Tickets can be purchased here.
AUCKLAND CASTLE WING EXTENSION
MAY 2019
Following the completion of the Auckland Tower, the Faith Museum is our second project at Auckland Castle and is an extension to the Grade I listed Scotland Wing. Unlike its vertical sister, which wears its expressed timber structure on the outside, the Faith Museum is singular and monolithic in its appearance, forming a continuous horizontal stone edge to an enclosed courtyard. Cop Crag sandstone, local to the north-east of England, is the external treatment for the roof, walls and weatherings of the building. Far from being homogenous, the stone is alive with natural variation which ranges from delicate lacy swirls to something resembling animal markings.
The principal internal space is a 9.5m tall gallery which follows the steeply pitching roof form, supported by a procession of closely-centred fine metal trusses. The Museum is largely inward-looking, borne of its intended purpose for contemplation and preservation of religious artefacts. This provides further enjoyable contrast and conversation between our two buildings in how they seem to view one another: the Tower’s expansive 360˚ views offering a full appreciation of the Faith Museum in its entirety as begins to take form, whilst the introspective Museum offers the only the slightest peek of its neighbour over the wall.
