LA BIENNALE DI VENEZIA OPENING
MAY 2016
The collaborative project between Yeoryia Manolopoulou and Niall McLaughlin ‘Losing Myself’ opened on the 27th May for the Irish pavilion at the 15th International Architecture Exhibition of La Biennale di Venezia. An opening speech was given by the Irish Ambassador for Italy Bobby McDonagh.
The project is a reflection on the lessons learned through a decade of designing buildings for people with dementia. It has two complementary components: a website that collates a mosaic of conversations, drawings, stories and experiments around the subject of dementia; and an immersive installation that tries to envisage a building we designed for people with dementia through their own experiences. The installation questions the notion of the building as a singular conception, and by extension, those architectural representations that insist upon buildings as finite and whole objects.
Please see below for a list of articles on Losing Myself
DesignBoom
Dezeen
ArchDaily
Divisare
Il Sole 24 Ore
giornale dell’architectura
A+U FEATURE ON SOMERVILLE COLLEGE ACCOMMODATION
MAY 2014
The Japanese journal a+u has published an account of the practice’s student accommodation for Somerville College, Oxford. The theme of this month’s publication is ‘New Landscapes of Wooden Architecture’ and features an international selection of projects that explore new aspects of wood technology and its potential within cities. The article gives a description on the themes and processes behind the project, placing it within the context of the historic university city and the surrounding Radcliffe Infirmary Quarter.
It is illustrated with working details of the bespoke timber glazing for the stair tower lanterns, as well as the prefabricated timber projecting bay window units for the student bedrooms, with their integral desk and bench seat overlooking the street.
‘We chose to make the glazed elements in the stair towers and student rooms in wood because we wanted them to be like warm lanterns, internally lit in the evening, bringing light to the narrow street…Wood allowed us to make more three-dimensional details…we owe a debt to Louis Kahn’s work at Philip Exeter Academy Library.’ NM