Jacob’s Ladder, the first stand-alone house built by this practice has been put on the market fifteen years after it was built. In a special article in the Sunday Times Property Supplement it was described by Kevin McCloud as “The only house in the whole country that takes my breath away… This is how 21st-century rural houses should be designed,”
Niall McLaughlin has written a piece for the RIBA Journal on the symbolic use of architecture within early Renaissance Art. The essay describes observations based on a visit to the ‘Building the Picture’ exhibition, currently on show at the National Gallery in London. The exhibition gathers together architectonic works by the Italian masters of the 14th-16th centuries that explore real and imagined architectural space.
The article observes how the Renaissance artists’ enthusiasms for displaying their newly discovered skills of perspective and knowledge of the classical forms are conflated with a religious symbolism. The tropes of classical architecture are used as visual metaphors for the divine and eternal. The article explores the effect of these spaces on the viewer and the reasons why the idealised architecture tends to alienate rather than engage.