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‘ETERNAL PROBLEMS’, RIBA JOURNAL EXHIBITION REVIEW BY NIALL MCLAUGHLIN

JUNE 2014

Niall McLaughlin has written a piece for the RIBA Journal on the symbolic use of architecture within early Renaissance Art. The essay describes observations based on a visit to the ‘Building the Picture’ exhibition, currently on show at the National Gallery in London. The exhibition gathers together architectonic works by the Italian masters of the 14th-16th centuries that explore real and imagined architectural space.

The article observes how the Renaissance artists’ enthusiasms for displaying their newly discovered skills of perspective and knowledge of the classical forms are conflated with a religious symbolism. The tropes of classical architecture are used as visual metaphors for the divine and eternal. The article explores the effect of these spaces on the viewer and the reasons why the idealised architecture tends to alienate rather than engage.

MICHAEL WEBB WRITES A FEATURE ON NIALL MCLAUGHLIN IN MARK MAGAZINE

OCTOBER 2013

Under the title ‘London Maverick’ Mark Magazine has profiled Niall McLaughlin and a wide ranging showcase of the practice’s work. The article includes projects from the Bandstand at Bexhill-on-Sea in 2001 to the Chapel for Ripon Theological College completed last year, the latter being described as a project that “restores one’s faith in the capacity of architects to reinvent traditional forms.”

The work of the practice is described as defying categorisation and characterised by “poetry and invention”. Drawing on the broad theme of materiality, the review reflects on the design process for a selection of projects including House at Goleen, the student accommodation for Somerville College, the Information Centre in Hull and the Housing for the London Olympics.