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CRAFTLINES

AUGUST 2015

Craftlines

My grandfather has worn many hats; soldier, civil servant, father of seven, husband, and winner of a county final in hurling (the achievement of which he is potentially most proud). He is fluent in Irish and recalls event and dates from 50 years ago with a staggering accuracy. Yet the residing image of him from my childhood is as a craftsman – in the garage next to his house in Dublin, whittling and sanding a piece of ash to form a hurley, sizing it precisely for the user, wrapping the handle to create the perfect hold. I remember sitting, playing surreptitiously with a clamp, watching this in awe: the creation of the perfect instrument from a piece of timber; a skill honed through practice and an unfailing attention to detail. I marvelled at the assurance of it all, the promise in his hands.

It would be satisfyingly simple to attribute my choice of career to these moments – to claim there was an epiphany in watching him, a sudden realisation that I wanted to be an architect, to create. In reality, however, the path was not so linear; instead the conviction that I wanted to become an architect embedded itself in my consciousness slowly, over time. The memory of him working in his garage was one I didn’t return to often, and like any story we fail to repeatedly tell ourselves, it languished, dormant, in the recesses of my mind.

I recently went to site at Jesus College, Cambridge, where we are working on a project that is part new build, part refurbishment. An aspect of the refurbishment involves the adaptation of eight bookcases in the magnificent former library into wall panelling. The existing bookcases are a dark stained timber, designed by Maurice Webb in the 1920s and wonderfully crafted by a masterful hand. Reworking these without compromising their beauty would be a challenge for any craftsman.

On seeing the work the joiner had done, I realised there was no cause for worry – it had been executed with confident, competent hands. In that moment, the memory of my grandfather in his garage came back to me in glorious Technicolor; and I felt a familiar thrill at the embodied potential of the right material in the hands of a craftsman, with promise in his hands.

RIBA STIRLING PRIZE SHORTLIST

JUNE 2015

RIBA Stirling Prize Shortlist

Niall McLaughlin Architects are thrilled that Darbishire Place, Whitechapel Peabody Housing has been shortlisted for this year’s Stirling Prize.

Writing about Darbishire Place in a piece written for the Guardian, Olivier Wainwright said ” Filling in the gap of a second world war bomb site, the building follows the sobriety of Darbishire’s designs for “cheap, cleanly, well drained and healthful dwellings for the poor”, but updates it with generous internal spaces and sharply-crafted details that make it as near to a model housing scheme as you could find”.

The RIBA President Stephen Hodder, says: “The shortlisted projects are each surprising new additions to urban locations – hemmed into a hospital car park, in-filling an east London square, completing a school campus. But their stand-out common quality is their exceptionally executed crafted detail.”

The other 5 buildings making this years shortlist are Burntwood School in Wandsworth, designed by Allford Hall Monaghan Morris; the Maggie’s Cancer Care Centre in Lanarkshire, by Reiach and Hall; the NEO Bankside luxury apartments in Southwark, Rogers Stirk Harbour; the Library and Teaching Building at the University of Greenwich, by Heneghan Peng; and the Whitworth Art Gallery in Manchester, by MUMA.