Charles Jencks Award

CHARLES JENCKS AWARD

SEPTEMBER 2016

Niall has been announced as winner of the Charles Jencks Award 2016, which is given annually to an outstanding architect or practice that ‘has recently made a major contribution to both the theory and practice of architecture’.

Explaining the judges’ choice, RIBA President Jane Duncan said: ‘Niall’s body of work exemplifies the spirit of this award, which recognises the ability to seamlessly, and, in this case, beautifully, build theory into one’s practice. I am in awe of the materiality and the craftsmanship, of the dedication, the collaborative relationships and the contextual sensitivity with which Niall’s buildings are created.’

According to Charles Jencks, Niall ‘is a great inspiration for architects today, especially the young, because of his masterful skill in drawing from all traditions – Classicism, Modernism, Postmodernism. All the ‘isms’ are under his belt, not on his back, and he extends them all through the commitment to architecture as an art and professional practice’

Previous winners of the award include Herzog & de Meuron, Benedetta Tagliabue, Rem Koolhaas, Stephen Holl and Zaha Hadid.

Niall will receive the award at a public lecture, chaired by Charles Jencks, at RIBA on 25^th October.

A+U FEATURE ON SOMERVILLE COLLEGE ACCOMMODATION

MAY 2014

The Japanese journal a+u has published an account of the practice’s student accommodation for Somerville College, Oxford. The theme of this month’s publication is ‘New Landscapes of Wooden Architecture’ and features an international selection of projects that explore new aspects of wood technology and its potential within cities. The article gives a description on the themes and processes behind the project, placing it within the context of the historic university city and the surrounding Radcliffe Infirmary Quarter.

It is illustrated with working details of the bespoke timber glazing for the stair tower lanterns, as well as the prefabricated timber projecting bay window units for the student bedrooms, with their integral desk and bench seat overlooking the street.

‘We chose to make the glazed elements in the stair towers and student rooms in wood because we wanted them to be like warm lanterns, internally lit in the evening, bringing light to the narrow street…Wood allowed us to make more three-dimensional details…we owe a debt to Louis Kahn’s work at Philip Exeter Academy Library.’ NM