< Back to News

CHARLES JENCKS AWARD

SEPTEMBER 2016

Niall has been announced as winner of the Charles Jencks Award 2016, which is given annually to an outstanding architect or practice that ‘has recently made a major contribution to both the theory and practice of architecture’.

Explaining the judges’ choice, RIBA President Jane Duncan said: ‘Niall’s body of work exemplifies the spirit of this award, which recognises the ability to seamlessly, and, in this case, beautifully, build theory into one’s practice. I am in awe of the materiality and the craftsmanship, of the dedication, the collaborative relationships and the contextual sensitivity with which Niall’s buildings are created.’

According to Charles Jencks, Niall ‘is a great inspiration for architects today, especially the young, because of his masterful skill in drawing from all traditions – Classicism, Modernism, Postmodernism. All the ‘isms’ are under his belt, not on his back, and he extends them all through the commitment to architecture as an art and professional practice’

Previous winners of the award include Herzog & de Meuron, Benedetta Tagliabue, Rem Koolhaas, Stephen Holl and Zaha Hadid.

Niall will receive the award at a public lecture, chaired by Charles Jencks, at RIBA on 25th October.

ARCHITECTS’ JOURNAL FEATURE ON DUNCAN TERRACE

AUGUST 2014

Architects’ Journal Feature on Duncan Terrace

In their August issue entitled ‘Home’, the Architects’ Journal has featured an article on the practice’s remodelling of Duncan Terrace, a Grade II-listed Georgian house in Islington. After winning a private competition held by the clients in 1999, the residential project has spanned over a decade and is now complete. The internal arrangement of the house has been extensively remodelled and a dedicated gallery space built at the end of the courtyard garden, to house the clients’ collection of contemporary art and ceramics.

The main house is linked to the gallery space through a double-height passageway, formed between the existing listed flanking garden wall and a new screen of cast plaster blocks, set behind translucent glass. The screen gathers light from both sides making the cast volumes appear to float, with light able to penetrate around each block held in the array.

To read the full article click here.