CATHERINE HUGHES BUILDING PLANNING APPROVAL
MAY 2017
Our new student accommodation scheme for Somerville College, has been awarded planning approval unanimously by Oxford City Council. The project, known as the Catherine Hughes Building, will provide 68 bedrooms, allowing the College to accommodate all their undergraduates on site. This is our third building for Somerville College, further to our work on the ROQ student housing and the extension to the Philip Dowson designed Wolfson building.
The new building has a frontage on to Walton Street, with a Graduate Reading Room at ground floor level. The use of red brick will reflect the neighbouring buildings, with articulated brickwork elements around generous windows to provide a rhythm to the façade. Framed setbacks at third floor level allow the new building to align with key levels on the adjacent Penrose Building and to provide variety to the roof line. Internally, bedrooms are arranged in to clusters with kitchens and circulation spaces utilising direct and borrowed natural light and forming focal points for social activity.
Enabling works, involving the demolition of existing buildings, are due to commence in the next few months, with the main construction expected to start on site at the beginning of 2018.
CRAFTLINES
AUGUST 2015
My grandfather has worn many hats; soldier, civil servant, father of seven, husband, and winner of a county final in hurling (the achievement of which he is potentially most proud). He is fluent in Irish and recalls event and dates from 50 years ago with a staggering accuracy. Yet the residing image of him from my childhood is as a craftsman – in the garage next to his house in Dublin, whittling and sanding a piece of ash to form a hurley, sizing it precisely for the user, wrapping the handle to create the perfect hold. I remember sitting, playing surreptitiously with a clamp, watching this in awe: the creation of the perfect instrument from a piece of timber; a skill honed through practice and an unfailing attention to detail. I marvelled at the assurance of it all, the promise in his hands.
It would be satisfyingly simple to attribute my choice of career to these moments – to claim there was an epiphany in watching him, a sudden realisation that I wanted to be an architect, to create. In reality, however, the path was not so linear; instead the conviction that I wanted to become an architect embedded itself in my consciousness slowly, over time. The memory of him working in his garage was one I didn’t return to often, and like any story we fail to repeatedly tell ourselves, it languished, dormant, in the recesses of my mind.
I recently went to site at Jesus College, Cambridge, where we are working on a project that is part new build, part refurbishment. An aspect of the refurbishment involves the adaptation of eight bookcases in the magnificent former library into wall panelling. The existing bookcases are a dark stained timber, designed by Maurice Webb in the 1920s and wonderfully crafted by a masterful hand. Reworking these without compromising their beauty would be a challenge for any craftsman.
On seeing the work the joiner had done, I realised there was no cause for worry – it had been executed with confident, competent hands. In that moment, the memory of my grandfather in his garage came back to me in glorious Technicolor; and I felt a familiar thrill at the embodied potential of the right material in the hands of a craftsman, with promise in his hands.