ARCHITECTURE ROOM AT THIS YEAR’S ROYAL ACADEMY SUMMER EXHIBITION
APRIL 2022
Níall McLaughlin and artist Rana Begum will co-curate the architecture room at this year’s Royal
Academy Summer Exhibition. Celebrated British sculptor Alison Wilding RA will co-ordinate the 254th exhibtion.
This year Wilding will explore the theme of Climate. “The theme of Summer Exhibition 2022 is
CLIMATE in all its manifestations. Whether it presents as crisis or opportunity, nightmare or
memories, or simply our everyday experience of weather, - CLIMATE is a huge all-embracing and
urgent subject.”
The Summer Exhibition is the world’s largest open submission contemporary art show which has
taken place every year without interruption since 1769. The members of the Summer Exhibition
Committee serve in rotation, ensuring that every year the exhibition has a distinctive character, with
each Royal Academician responsible for a particular gallery space. Works from all over the world are
judged democratically on merit and the final selection is made during the eight-day hang within the
galleries.
AUCKLAND CASTLE WING EXTENSION
MAY 2019
Following the completion of the Auckland Tower, the Faith Museum is our second project at Auckland Castle and is an extension to the Grade I listed Scotland Wing. Unlike its vertical sister, which wears its expressed timber structure on the outside, the Faith Museum is singular and monolithic in its appearance, forming a continuous horizontal stone edge to an enclosed courtyard. Cop Crag sandstone, local to the north-east of England, is the external treatment for the roof, walls and weatherings of the building. Far from being homogenous, the stone is alive with natural variation which ranges from delicate lacy swirls to something resembling animal markings.
The principal internal space is a 9.5m tall gallery which follows the steeply pitching roof form, supported by a procession of closely-centred fine metal trusses. The Museum is largely inward-looking, borne of its intended purpose for contemplation and preservation of religious artefacts. This provides further enjoyable contrast and conversation between our two buildings in how they seem to view one another: the Tower’s expansive 360˚ views offering a full appreciation of the Faith Museum in its entirety as begins to take form, whilst the introspective Museum offers the only the slightest peek of its neighbour over the wall.
