ARCH-IVE INTERVIEW
JUNE 2020
On Tuesday 23rd June at 19.00, Arch-ive will be speaking to Níall McLaughlin about the literature that has influenced his practice, as part of the Architecture Foundation’s ‘100 Day Studio’.
Arch-ive is an online platform that investigates the books that have been influential to leading practitioners. It aims to showcase architects’ relationship to books and the way they utilise, interrogate, and display architectural resources.
The ‘live’ interview will take a slightly different format, focusing on specific buildings completed by Níall McLaughlin and the literature that surrounded their investigation. The discussion will focus initially on the Alzheimer’s Respite Centre in Dublin and Níall McLaughlin Architect’s work at the 2016 Venice Biennale, ‘Losing Myself’. Secondly, the conversation will focus on three projects from Níall’s early career, ‘The Shack’, ‘Phototropic’, and ‘Wandsworth House’. Finally, we will discuss ‘Bishop Edward King Chapel’ in Oxford.
AUCKLAND CASTLE WING EXTENSION
MAY 2019
Following the completion of the Auckland Tower, the Faith Museum is our second project at Auckland Castle and is an extension to the Grade I listed Scotland Wing. Unlike its vertical sister, which wears its expressed timber structure on the outside, the Faith Museum is singular and monolithic in its appearance, forming a continuous horizontal stone edge to an enclosed courtyard. Cop Crag sandstone, local to the north-east of England, is the external treatment for the roof, walls and weatherings of the building. Far from being homogenous, the stone is alive with natural variation which ranges from delicate lacy swirls to something resembling animal markings.
The principal internal space is a 9.5m tall gallery which follows the steeply pitching roof form, supported by a procession of closely-centred fine metal trusses. The Museum is largely inward-looking, borne of its intended purpose for contemplation and preservation of religious artefacts. This provides further enjoyable contrast and conversation between our two buildings in how they seem to view one another: the Tower’s expansive 360˚ views offering a full appreciation of the Faith Museum in its entirety as begins to take form, whilst the introspective Museum offers the only the slightest peek of its neighbour over the wall.
