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AIAUK 2021 DESIGN AWARDS WINNER

JUNE 2021

AIAUK 2021 Design Awards Winner

Magdalene College Library has won in the Professional Practice Medium Sized Projects category at this year’s AIAUK Design Awards. For over 20 years, The American Institute of Architects UK Chapter Excellence in Design Awards programme has proven highly valued by architects as they confer trans-Atlantic recognition for design excellence. Professional entries are sought from UK-based architects or designers, for projects anywhere in the world, and Architects or designers based outside the UK for projects completed in the UK.

Acknowledging that architecture is a corpus of inherited ideas, Alternative Histories invited more than 80 contemporary practices in the UK and Europe to imagine an exchange with architects from the past. Each office was assigned a different drawing from the collection of Drawing Matter. The architects were then tasked with making a model that not only responded to what they saw, but envisioned an alternative future for the original drawing while adhering to the constraints of the project.

AUCKLAND CASTLE WING EXTENSION

MAY 2019

Auckland Castle Wing Extension

Following the completion of the Auckland Tower, the Faith Museum is our second project at Auckland Castle and is an extension to the Grade I listed Scotland Wing. Unlike its vertical sister, which wears its expressed timber structure on the outside, the Faith Museum is singular and monolithic in its appearance, forming a continuous horizontal stone edge to an enclosed courtyard. Cop Crag sandstone, local to the north-east of England, is the external treatment for the roof, walls and weatherings of the building. Far from being homogenous, the stone is alive with natural variation which ranges from delicate lacy swirls to something resembling animal markings.

The principal internal space is a 9.5m tall gallery which follows the steeply pitching roof form, supported by a procession of closely-centred fine metal trusses. The Museum is largely inward-looking, borne of its intended purpose for contemplation and preservation of religious artefacts. This provides further enjoyable contrast and conversation between our two buildings in how they seem to view one another: the Tower’s expansive 360˚ views offering a full appreciation of the Faith Museum in its entirety as begins to take form, whilst the introspective Museum offers the only the slightest peek of its neighbour over the wall.