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A SITE FOR SAURIIS

JANUARY 2017

A Site for Sauriis

Our proposal to redevelop the grounds of the Natural History Museum is due to start on site this month. The work to the main entrance – the first of three phases – will introduce level access to this area for the first time while also restoring the Grade-I listed fabric to its former glory.

The works include changing levels, repaving the forecourt, restoring railings, installing planting, and repairing or reinstating original terracotta details across the site.

Ahead of this, the main entrance and central hall of the Museum are now closed while both teams gear up for construction – including some unusual enabling works. As part of these works Dippy the diplodocus has now been dismantled ahead of going on tour around the country; to be eventually recast in bronze for the next phase of our project.

The railings have now been removed for off-site restoration and re-painting:

And scaffolding is also going up for the removal of display cases and various specimens:

This will need to go up again halfway through construction of Phase 1 allow for delivery of the blue whale skull through our active site. Here it is just before it left the Museum.

If you’re wondering how that that will fit through the front doors, the answer’s simple: the same way the elephants do.

Phase 1 is due to complete mid-July ahead of the main entrance reopening to the public shortly after. In the meantime, there’s a pop-up conservation studio in the Darwin Centre – which we highly recommend – where you can see the conservationists at work restoring the whale’s bones.

VENICE BIENNALE 2016

NOVEMBER 2015

Venice Biennale 2016

Niall McLaughlin Architects have been selected to represent Ireland at the 15th International Architecture Exhibition in Venice in 2016 with Yeoryia Manolopoulou of AY Architects. Their proposal reflects their interest in working as architects to understand and improve the quality of life for those suffering from Alzheimer’s disease.

The theme of the 2016 event is entitled ‘Reporting from the Front’. Alejandro Aravena the Biennale artistic director, stated, ‘there are several battles that need to be won and several frontiers that need to be expanded in order to improve the quality of the built environment and consequently people’s quality of life…at this Biennale, we want to see stories worth telling and exemplary cases worth sharing where architecture has, is and will make a difference in winning those battles and expanding those frontiers’.